Mixing & mastering · Toronto or remote

Mixing & Mastering Services in Toronto

Your song is recorded and it still does not sound like a record. Send us the stems — from Toronto or from anywhere — and get back a mix and a master that hold up next to whatever you play them after.

  • You do not have to record here
  • Send stems or a rough mix from anywhere
  • Hourly rate, estimate up front
  • Typically 3-5 business days
  • UAD, Waves, FabFilter, Soundtoys, Melodyne
  • Mastered for streaming, vinyl or CD
Extreme close-up of a large-diaphragm side-address condenser microphone behind a round pop filter, lit blue against a black background
The condenser and pop filter that most of the vocal takes we mix were recorded through.

The process

How a mix gets done

  1. 1

    Send the material

    Stems, a rough mix, or a raw multitrack. Attach the files to a booking request (audio, video, text or PDF, up to 25 MB per file and 250 MB in total) or email them to dvlce@thebasement416.com. Tell us the tempo, the key if you know it, and a reference track that sounds like where you want to end up.

  2. 2

    You get an estimate before anything starts

    Mixing and mastering are billed by the hour, the same as studio time — but tell us how many tracks there are and what the song needs and you get an estimate of the hours and the cost up front. Charging by the hour is the fairer way round: a sparse song that mixes quickly costs you less, instead of being averaged up into one flat per-track price.

  3. 3

    We mix

    Balance, EQ, compression, saturation, automation and effects — every element shaped against the reference, then checked on KRK Rokit 7 and Kali LP-8 monitors and again on headphones so it still holds up in earbuds and a car.

  4. 4

    We master

    The finished mix is levelled, tonally balanced and stereo-checked into a release-ready master for streaming, vinyl or CD, so the record holds together track to track.

  5. 5

    Delivery, then your notes

    Turnaround is typically 3-5 business days from the point the files land. Listen on your own speakers, then come back with notes: every hour you book includes up to 10 minutes of additional mixing or editing afterwards, and exporting stems counts against that time too. Revisions happen after the session rather than during it, and land within 3-5 business days of being asked for — asking on the day does not guarantee same-day, because the room may already be booked.

None of that requires you to be in Toronto. The only thing that genuinely helps is a reference track — one song that sounds like what you are aiming at. It replaces about an hour of guessing.

What you need to know

Mixing and mastering, plainly

You do not have to record here

This is a standalone service. Plenty of the material that gets mixed in this room was tracked somewhere else, or at home.

What we mix on

Pro Tools and FL Studio, with UAD Suite, Waves Complete, FabFilter Pro Bundle, Soundtoys, Antares Auto-Tune Suite and Celemony Melodyne.

What we listen on

KRK Rokit 7 and Kali LP-8 monitors — a reference the engineer knows inside out, so translation to phones, earbuds and cars is predictable instead of a surprise.

Turnaround

Typically 3-5 business days from the point the files land, depending on scope. If you are on a deadline, say so when you send the material.

How to send stems

Consolidated from bar one, one file per element, no master-bus processing unless you want it kept. Name them plainly. If your session is a mess, send it anyway and say so.

Prefer to be in the room

Book studio time and sit in while it happens. Some artists want to hear every decision; most would rather get the mix back and give notes.

An ultrawide curved monitor showing a DAW mixer with dozens of channel faders and an arrangement window, the studio banner lit red behind it and an engineer typing on the desk
The mix rig with a session open across the ultrawide — mixer on one side, arrangement on the other.
A pair of closed-back AKG K92 headphones resting on a desk mat beside an Audient EVO interface
Every mix gets a headphone pass on the AKGs as well as the monitors, because that is where most people will hear it.

You can hear real before-and-after pairs — raw stems against the finished mix, and an unmastered mix against the master — in the audio players on the homepage. They are actual sessions from this room, not demo reels.

Rates

What it costs

Studio rate

$65 / hour

Engineer included. Your first session is 25% off, and paying in full 24 hours ahead takes another 10% off.

See open times

Book more hours, pay less per hour

$60 / hr

4+ hours

$55 / hr

15+ hours

$50 / hr

30+ hours

That is up to 23% off the standard rate at 30 hours ($50 an hour). Bulk hours are prepaid and used whenever you like — a single booking cannot run long enough to reach the top tiers on its own.

A 25% deposit holds the room (minimum $30) and the balance is due at the session. Deposits go through Stripe or PayPal; e-transfer is fine too.

Mixing and mastering are billed at that same hourly rate — start a booking, choose Mixing & Mastering, attach the files, and you will get an estimate of the hours and the cost before any work begins. Pricing by the hour instead of a flat per-track fee means a song that mixes quickly genuinely costs you less. Prefer to sit in while it happens? Book studio time and work in the room.

Questions

Before you send anything

Can you mix a song I recorded at home?

Yes — that is most of this work. Send the stems and we will tell you honestly whether the source recording will hold up, before you pay for anything.

What is the difference between mixing and mastering?

Mixing is the balance between the parts of one song — levels, EQ, compression, effects, automation. Mastering is the final pass on the finished mix: level, tone and stereo image, so it sits properly next to other records and across the rest of your release.

Do you offer mastering on its own?

Yes. Send the final mix and we will quote mastering alone.

What format should I send?

WAV or AIFF stems, consolidated from bar one at the session sample rate, one file per element. An MP3 is fine as a reference but not as source material. If you are not sure how to export stems, send the project file and tell us which DAW it came from — Pro Tools, FL Studio and Ableton Live all open here.

How much does it cost?

It is the hourly studio rate, $50–$65/hr depending on how many hours you book. Send the material first and you get an estimate — the hours it should take and what that comes to — before any work starts. Billing by the hour rather than a flat per-track fee is the fairer way round: a song that mixes quickly genuinely costs you less.

How many revisions do I get?

Every hour you book includes up to 10 minutes of additional mixing or editing afterwards — exporting stems counts against that too. It is done after the session, not during it, and lands within 3-5 business days of being requested. Requesting on the day does not guarantee same-day: if the room is booked, it waits its turn.

Send us the song

Start a booking, pick Mixing & Mastering, and attach the stems. You will get a quote for the real job — not a menu price that has nothing to do with your record.

Open 12 PM to 2 AM every day except Wednesday · 23 Alexis Blvd, North York, Toronto, ON M3H 2P2

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Mixing & Mastering Services — Toronto or Remote | The BASEment Recording Studio